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How To Tune A Guitar

There are many different ways to approach guitar tuning. We'll touch on a couple of the more effective methods on how to tune a guitar. Not necessarily the most popular as some methods, though extensively used, are considered 'bad habits' rather than genuine, effective guitar tuning alternatives.


The guitar standard tuning is as follows:

STRING - 6th String (bottom, bass, low) NOTE - E
5th String - A
4th String - D
3rd String - G
2nd String - B
1st String (top, treble, high) - E


Tips For Any Guitar Tuning Method

First, lets cover a few things that every player should know when taking the proper approach to guitar tuning and how to learn to tune guitar.

Learn to attach the strings to the machine heads properly. Never try to tune down to a note. Stretch the strings and tune up to the note. Tuning heads have a certain amount of 'play' in them so make a couple of deep bends and then fine tune the string. Before tuning a suspect string, check it against both adjacent strings to determine which string is actually out of tune. The string you suspect may not even be the culprit. When tuning a guitar with a vibrato arm, tune the string, give the arm a good shake, stretch the string, give the arm another shake and fine tune.

Veterans of guitar playing will already know these things so if you're a beginner and just learning to play the guitar, you're already ahead of the game if you implement these practices into your routine. For a great tool visit http://www.guitarmusician.com/guitar-tuner.htm

Here's A Quick Method For Guitar Tuning

Tune the treble (high) E string to an A440 tuning fork by holding your finger on the 5th fret, then tune the open B string to the open treble E string – listening to the interval of a fourth. It's easy to hear the fourth in that register.

Play the A note fretted at the 2nd fret of the G string, and compare it to the open treble E string – you're listening for a perfect fifth interval.

Fret the 2nd fret E note on the D string and compare it to the treble E string open. Double check this by fretting the E note on the 14th fret of the D string.

Now tune the 7th fret harmonic on the A string (an E note) to the open treble E string.

Finally, tune the 5th fret harmonic on the bass E string to the open treble E string.

This is a simple guitar tuning method that works well.

Fingers Foley is an avid guitarist and writer. He is a consumate professional and has extensive knowledge of the guitar and how it works. To read his articles please visit: Acoustic, Electric and Bass Guitars for sale.
Go here for a great tool to tune guitar online.

How To Tune A Guitar

There are many different ways to approach guitar tuning. We'll touch on a couple of the more effective methods on how to tune a guitar. Not necessarily the most popular as some methods, though extensively used, are considered 'bad habits' rather than genuine, effective guitar tuning alternatives.


The guitar standard tuning is as follows:

STRING - 6th String (bottom, bass, low) NOTE - E
5th String - A
4th String - D
3rd String - G
2nd String - B
1st String (top, treble, high) - E


Tips For Any Guitar Tuning Method

First, lets cover a few things that every player should know when taking the proper approach to guitar tuning and how to learn to tune guitar.

Learn to attach the strings to the machine heads properly. Never try to tune down to a note. Stretch the strings and tune up to the note. Tuning heads have a certain amount of 'play' in them so make a couple of deep bends and then fine tune the string. Before tuning a suspect string, check it against both adjacent strings to determine which string is actually out of tune. The string you suspect may not even be the culprit. When tuning a guitar with a vibrato arm, tune the string, give the arm a good shake, stretch the string, give the arm another shake and fine tune.

Veterans of guitar playing will already know these things so if you're a beginner and just learning to play the guitar, you're already ahead of the game if you implement these practices into your routine. For a great tool visit http://www.guitarmusician.com/guitar-tuner.htm

Here's A Quick Method For Guitar Tuning

Tune the treble (high) E string to an A440 tuning fork by holding your finger on the 5th fret, then tune the open B string to the open treble E string – listening to the interval of a fourth. It's easy to hear the fourth in that register.

Play the A note fretted at the 2nd fret of the G string, and compare it to the open treble E string – you're listening for a perfect fifth interval.

Fret the 2nd fret E note on the D string and compare it to the treble E string open. Double check this by fretting the E note on the 14th fret of the D string.

Now tune the 7th fret harmonic on the A string (an E note) to the open treble E string.

Finally, tune the 5th fret harmonic on the bass E string to the open treble E string.

This is a simple guitar tuning method that works well.

Fingers Foley is an avid guitarist and writer. He is a consumate professional and has extensive knowledge of the guitar and how it works. To read his articles please visit: Acoustic, Electric and Bass Guitars for sale.
Go here for a great tool to tune guitar online.

Album-Review

Dion
Son Of Skip James

It's a common trait: Artists who made their names within later, hybridized genres such as soul, funk or in Dion’s case, rock 'n' roll have a habit, in later years, of returning to the source: The blues. Following the surprise success of last year's Bronx In Blue - wherein the New York legend payed homage to the twelve bar format without which his own brand of doo wop would not have existed – Mr DiMucci repeats the formula. But does the world need another slice of re-heated standards?

The reason Bronx In Blue succeeded was down to two things. One: Dion's music always contained a healthy dose of r 'n' b - he famously played the Newport festivals - so his matured vocals in no way struggle with the grittier format. Two: The stripped back approach coupled with a genuine sense of 'street' actually gave something new to hoary old chestnuts like Robert Johnson's "Crossroads". For these reasons alone we should welcome Son Of Skip James. It's every inch the equal of its predecessor.

From the electric blues of Chicago's Chess label (Chuck Berry's "Nadine" and Willy Dixon's "My Babe") to the Mississipi mire of Sleepy John Estes ("Drop Down Mama") and Johnson ("Preachin' Blues" and "If I Had Possession Over Judgement Day") via Bob Dylan, a couple of worthy originals and of course Skip James himself, DiMucci shows who's boss. His voice has authority and the recording's simple dynamics of acoustic, drums and keys is purity incarnate.

His own contributions (especially the spoken "Interlude (Dylan Story)") mange to encapsulate both his standing in his hometown, and his love of both God and the Devil's music. Simplicity this affecting takes years to pull off. This is why for years those in the know have been singing the praises of this man who has made a mark in everything from rock to folk. Son Of Skip James is one for both longtime fans AND blues afficianados alike…

Music, Style, Fashion, Clothing, Collaborations And Conceptions 1969

Glimpsing a pair of blue crystal cufflinks sparked my memory bank taking me back to 1969 and a hit song by Tommy James and the Shondells titled "Crystal Blue Persuasion". Tommy James and The Shondells were also one of the first acts to experiment with Music Videos of their hits starting with "Mony Mony" in 1968, thirteen years before MTV.

Some may argue the side of Michael Nesmith, one of the Monkees who is also credited for conceiving the idea for MTV. He was the first to win an Emmy award for a music video "Rio". According to history Michael got the idea while touring Australia. En route, driven by curiosity, he visited an outback town, the back of beyond, the whoop whoops, beyond the black stump, down under. And while in a pub with no beer, an unlikely character recognised him as the Monkee with the woollen hat.

This made Mike realise the power of media and thus began the idea of music videos. He made Elephant parts, and experiment, now con-cult, which later inspired the "Friday Night Live" TV series, the birth place of comedians like Chevy Chase, John Candy, Eddie Murphy and Dan Akroyd. An aside, Michael's mother invented Tipex and sold the rights while electronic typewriters were still hot for $50,000,000.

I recognise the man for his multi talents, no doubt, but equally for his unusual collection of designer silk ties. Not just the for choice of styles but the way he wore them at a length about 4 to 5 inches above the belt line, like they did in the thirties. He can be seen consciously displaying his collection during many appearances on the Monkees TV series, his music videos and PR photo shoots. One in particular caught my attention; it was what appeared to be a Texas landscape, with characteristic cactus etc.

TJ and company began writing and producing their own records. Their first project, released in early 1969, was the unforgettable CRIMSON AND CLOVER album which, in addition to going multi-platinum, spawned three more monster hits for the group: DO SOMETHING TO ME, CRIMSON AND CLOVER, and CRYSTAL BLUE PERSUASION.

Listen carefully to TJ music; this was techno pop in its infancy, 10 years ahead of its time. The CELLOPHANE SYMPHONY album featured the newly developed Moog Synthesizer, a prelude to the VC3 and eventually computerised keyboards.

Also in the 60's cufflinks peaked. Swank were making 12 million pairs a year. Even though these were aimed at the lowest end of the market, retailing for an average of $2.50 a pair, that still adds up to a lot of men wearing cufflinks. These days the figure is closer to 200,000, but cufflinks are making a strong comeback with gross sales having increased consistently over the last ten years

MTV was born and traditionally hosted pop music shows like Countdown and Top of The Pops died a rapid painful death.

Music lovers, do you remember "The Alan Parsons Project"? Well Alan Parsons made is debut as second engineer along side Beatles producer George Martin in January while recording "Get Back" and Paul McCartney actually played base and some drums with The Steve Miller Band.

The same year (1969) George Harrison left the Beatles, and I left school aged just fifteen years and one day. I bought my first Jaeger sport Jacket and have been a fan of theirs ever since, a year later I discovered Harris Tweed and so began a life of indulgence in the art of fashion, now experiencing the joys of reward selling fashion accessories on line, I've rubbed shoulders with Timothy Everest and hope to do the same in person with Vivienne Westwood. Eventuality; "six degrees of separation" I believe it.

I'm still a big fan of Jaeger, there is no tweed as fine as Harris and I'm continually impressed with Westwood's endurance and her ability to subvert from with in.

It's all about collaboration, after all what would Bob Dylan be without his associations with The Band, Bob Knoffler, The Heart Breakers, Mick Taylor and Rick Bloomfield. He employed them to produce the music styles he visualised.